Music, Theatre, and Goodbye

The visit to Istanbul concluded like a story: Before attending a student performance at the school, I took a walk, and found some of my favorite musicians again. (I had not seen them since the one time on May 19.) This time I asked them their names so that I could look them up and listen to more of their music. They are Fali Talebi and Sherko Hoseini, originally from Iran. I requested the song I heard them play last week (by humming the melody); when they played it today, many people gathered around and began singing along. (You can hear the crowd faintly in the video below.)

I kept the video clips to two minutes, because of my upload limits–but here’s a second clip with most of Fali’s solo, and here’s another song they played.

I got back to the school just in time for a joyous theatrical performance by the preparatory class. Proud parents were taking photos and videos.

And here are a few classroom and Café Philo photos from the previous days.

This is more of a photo album than a blog post, but as you can see, it will take a while to absorb everything that happened in these two weeks.

As for the musician I heard on my first and third days, my first favorite, I did not see him again, and I still do not know his name. I stopped in the Mephisto book and record store to ask about him. A store clerk told me that he has been playing on the street, and only the street, for the past twenty years; he has no formal recordings. He often plays the songs of Âşık Veysel–so I got a CD and booklet of  Âşık Veysel’s work. The “aşık” (minstrel) has a long tradition in Anatolian culture; Âşık Veysel is among the most renowned. Through this booklet and CD, I will learn something about the musician I heard; through the musician I heard, I will start to learn about the Anatolian minstrels.

Update: The song that Sherko and Fali played is “Ta Bahare Delneshin,” an old Persian song. Sherko kindly sent me the lyrics and a link to another recording.

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  • “To know that you can do better next time, unrecognizably better, and that there is no next time, and that it is a blessing there is not, there is a thought to be going on with.”

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    Diana Senechal is the author of Republic of Noise: The Loss of Solitude in Schools and Culture and the 2011 winner of the Hiett Prize in the Humanities, awarded by the Dallas Institute of Humanities and Culture. Her second book, Mind over Memes: Passive Listening, Toxic Talk, and Other Modern Language Follies, was published by Rowman & Littlefield in October 2018. In February 2022, Deep Vellum will publish her translation of Gyula Jenei's 2018 poetry collection Mindig Más.

    Since November 2017, she has been teaching English, American civilization, and British civilization at the Varga Katalin Gimnázium in Szolnok, Hungary. From 2011 to 2016, she helped shape and teach the philosophy program at Columbia Secondary School for Math, Science & Engineering in New York City. In 2014, she and her students founded the philosophy journal CONTRARIWISE, which now has international participation and readership. In 2020, at the Varga Katalin Gimnázium, she and her students released the first issue of the online literary journal Folyosó.

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    On April 19–21, 2014, Diana Senechal took part in a discussion of solitude on BBC World Service's programme The Forum.  

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