Knowing and Not Knowing a Country

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Some people have suggested that my next book will be about my time in Hungary. I think that’s likely, but if so, it will differ from books that claim to reveal a country from the inside. Instead, it will explore the very difficulty of getting to know a country, even when you live and teach there, even when you undertake to learn the language, even (I believe) after you have been there a few years. The difficulty is the great part of it; if I could learn all about a country in a few months, I probably wouldn’t bother; I’d look for something more challenging to do.

When trying to speak more Hungarian, people tend to react in one of two ways. Some express amazement when I so much as put a sentence together. Other people ask, “Why do you even bother? Hungarian is difficult, and surely you can find enough people who speak English.” Yes, it’s a difficult language, but I insist on meeting the difficulty. I seek out situations where I am surrounded by Hungarian (for long stretches, without translation). Then I can focus on listening and figuring out as much as possible. The brain does lots of work in the background, too; when I surround myself with the language, I start recognizing patterns and words.

The difficulty of learning a language, of getting to know a country, is all the more reason for doing it. It’s difficult because it shows the limitations of your own knowledge and speech. For a long time you simply feel clumsy, unable to say what you want to say, unable to understand what others are saying. Then, over time, the big clumsiness melts away and an awkward semi-fluency sets in. Then slowly the fluency grows and the awkwardness diminishes; and now you start to appreciate the things that one language can express and the other cannot. You read literature in the new language, without much use of a dictionary. You try making jokes. Even this has a tentative quality–but the tentativeness also sharpens the ear. Something similar can be said for getting to know a country; as you learn more, you keep your conclusions more and more in check and become more alert to your surroundings. (I say “you,” but the truth of this may vary from person to person, place to place, and time to time.)

In that spirit, here’s a recording of a bird I heard the other night. At first I thought it was a mockingbird, but I don’t think there are mockingbirds here. It might have been a starling or Eurasian jay. And here, below, is a video of an unknown bird I saw take flight. I thought it was a stork, but since it was completely white, it may have been an egret instead.

As for the photo at the top, I took it in Békés on June 5. The river is the Körös.

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  • “To know that you can do better next time, unrecognizably better, and that there is no next time, and that it is a blessing there is not, there is a thought to be going on with.”

    —Samuel Beckett, Malone Dies

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  • Pilinszky Event (3/20/2022)

  • ABOUT THE AUTHOR

     

    Diana Senechal is the author of Republic of Noise: The Loss of Solitude in Schools and Culture and the 2011 winner of the Hiett Prize in the Humanities, awarded by the Dallas Institute of Humanities and Culture. Her second book, Mind over Memes: Passive Listening, Toxic Talk, and Other Modern Language Follies, was published by Rowman & Littlefield in October 2018. In February 2022, Deep Vellum will publish her translation of Gyula Jenei's 2018 poetry collection Mindig Más.

    Since November 2017, she has been teaching English, American civilization, and British civilization at the Varga Katalin Gimnázium in Szolnok, Hungary. From 2011 to 2016, she helped shape and teach the philosophy program at Columbia Secondary School for Math, Science & Engineering in New York City. In 2014, she and her students founded the philosophy journal CONTRARIWISE, which now has international participation and readership. In 2020, at the Varga Katalin Gimnázium, she and her students released the first issue of the online literary journal Folyosó.

  • INTERVIEWS AND TALKS

    On April 26, 2016, Diana Senechal delivered her talk "Take Away the Takeaway (Including This One)" at TEDx Upper West Side.
     

    Here is a video from the Dallas Institute's 2015 Education Forum.  Also see the video "Hiett Prize Winners Discuss the Future of the Humanities." 

    On April 19–21, 2014, Diana Senechal took part in a discussion of solitude on BBC World Service's programme The Forum.  

    On February 22, 2013, Diana Senechal was interviewed by Leah Wescott, editor-in-chief of The Cronk of Higher Education. Here is the podcast.

  • ABOUT THIS BLOG

    All blog contents are copyright © Diana Senechal. Anything on this blog may be quoted with proper attribution. Comments are welcome.

    On this blog, Take Away the Takeaway, I discuss literature, music, education, and other things. Some of the pieces are satirical and assigned (for clarity) to the satire category.

    When I revise a piece substantially after posting it, I note this at the end. Minor corrections (e.g., of punctuation and spelling) may go unannounced.

    Speaking of imperfection, my other blog, Megfogalmazások, abounds with imperfect Hungarian.

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