“While Suzanne holds the mirror….”

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Today I was thinking of Leonard Cohen’s song “Suzanne” for its fearless understanding, its way of lilting through the mind. It isn’t religious, but it devotes a verse to Jesus. Its main character, Suzanne, seems a Miriam of the 1960s, a prophet by the river. But Suzanne is in many places; I have known a few people who seemed Suzanne-like, and sometimes I have a bit of Suzanne in me too. What and who is she? She is song itself, and this song in particular; “you want to travel with her, and you want to travel blind.”

Through the song, you taste “tea and oranges that come all the way from China”; you let her guide you: “And she shows you where to look among the garbage and the flowers / There are heroes in the seaweed, there are children in the morning / They are leaning out for love and they wil lean that way forever / While Suzanne holds the mirror.”

“But the song is about a real Suzanne,” some will protest; “she and Cohen really drank tea and ate oranges together!” Yes, that’s what a good song can do: take something from life and wrap it into the music, so that it becomes real for the listener, part of the listener’s life. You think you’ve been there, you think you know Suzanne, but it’s the song you’ve lived and known.

I didn’t bring this song to class on Tuesday (I brought “Story of Isaac” instead), but if I had, it probably wouldn’t have worked any better than the others, because it has to catch you unawares. I remember the first time I noticed it. I had heard it before, perhaps many times, but this time I was having brunch at a friend’s place, and the sun was streaming through the windows, and this was playing, and I suddenly heard it and asked what it was. That was probably in 1993 or so. Since then, it has been in my life.

I am now on the train to Budapest, for the Szim Salom Passover seder, which I will be co-leading. On Sunday I head to Kisvárda (by train, with bike), and then from there by bike to the Zemplén region. I look forward to the return; it will be my third time there with bicycle, but my first time biking from Kisvárda (and my first time in Kisvárda, for that matter, except for the time I passed through by train).

I wish everyone good holidays and a restful break.

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  1. Song Series #14: One Morning in May | Take Away the Takeaway

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  • “To know that you can do better next time, unrecognizably better, and that there is no next time, and that it is a blessing there is not, there is a thought to be going on with.”

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    Diana Senechal is the author of Republic of Noise: The Loss of Solitude in Schools and Culture and the 2011 winner of the Hiett Prize in the Humanities, awarded by the Dallas Institute of Humanities and Culture. Her second book, Mind over Memes: Passive Listening, Toxic Talk, and Other Modern Language Follies, was published by Rowman & Littlefield in October 2018. In February 2022, Deep Vellum will publish her translation of Gyula Jenei's 2018 poetry collection Mindig Más.

    Since November 2017, she has been teaching English, American civilization, and British civilization at the Varga Katalin Gimnázium in Szolnok, Hungary. From 2011 to 2016, she helped shape and teach the philosophy program at Columbia Secondary School for Math, Science & Engineering in New York City. In 2014, she and her students founded the philosophy journal CONTRARIWISE, which now has international participation and readership. In 2020, at the Varga Katalin Gimnázium, she and her students released the first issue of the online literary journal Folyosó.

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    On April 19–21, 2014, Diana Senechal took part in a discussion of solitude on BBC World Service's programme The Forum.  

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