Song Series #7: Favorite Songs

0316Salamon_KLHturntable

Twenty years ago, I could have named my ten favorite songs. They would probably have been songs of Granfaloon Bus, Hannah Marcus, Sonny Smith, Ed’s Redeeming Qualities (or maybe 100 Watt Smile), the Breeders, Dieselhed, 20 Minute Loop, Leonard Cohen, Sonic Youth, and Kristin Hersh. Today I love those same songs but have a harder time naming favorites. Knowing this, I can enjoy the task. Maybe my choices will change over time. Maybe they’re narrow. Maybe they’re too far flung. But these are songs that I come back to again and again. For the sake of brevity, I will name not ten but four. Not in order of preference–at this level there’s no order–but just as they come to mind. I am not even sure that they are my favorite songs in all the world; many others circle around them. But I will go ahead and name them.

The first is Sonic Youth’s “The Diamond Sea.” I heard them play it live in San Francisco. There was a time when I played it over and over again. But even after that, it kept coming back to mind. I love the changes it goes through, the way the music creates the diamond sea. I also love the matter-of-factness of the main melody, and the way the lyrics build.

The second is 1LIFE’s “Maradok ember.” I have written about the song, covered it on cello (in Szolnok and Dallas), heard it performed live, and returned to it again and again. It crosses boundaries of language, culture, age, musical style, and more. When they played it in Törökszentmiklós in August, I realized how radical and raw it is. I hope that it will eventually be heard all over the world.

The third is Cesaria Evora’s “Petit Pays.” This song comes close to reminding me of when I was a baby in Brazil. She is from Capo Verde, not Brazil, but her voice, the language, and the music bring back memories, not in any explicable way, but in a way I can’t shake off either. Maybe that’s what a good song does: take on the quality of an old, old memory. But besides that, I love the rhythm and Cesaria Evora’s deep, knowing voice. This video is beautiful, too.

The fourth is Bob Dylan’s “One More Cup of Coffee.” It is majestic, with a voice that lilts and cries, a melody with a Jewish or Middle Eastern feel, a violin weaving in and out of sound, and gorgeous backing vocals by Emmylou Harris–not really “backing,” but side by side with Dylan’s. It’s understated; it ends before I know it, and I want to hear it again. There’s an imperfection to it, also, that I love; the violin slightly (and pleasantly) out of tune in places, Dylan and Harris sometimes blending together, sometimes sounding like two strong and separate souls.

There are at least twenty other songs I could have included here. Maybe even fifty. But there’s something to be said for choosing a few.

I made some changes to this piece after posting it; in particular, I changed the fourth selection.

Image: Bradford J. Salamon, KLH Turntable, oil. Featured in Southwest Art Magazine, March 2016.

To read all the posts in the Song Series, go here.

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