Elmarad (“Cancelled”)

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Everywhere I go, the event posters say “Elmarad” (“[It Is] Cancelled”). In response to the coronavirus, the Hungarian government has banned indoor public events with 100 or more people, as well as outdoor public events with 500 or more. Our school’s beloved Suligála has been cancelled. Films, concerts, exhibitions, readings–cancelled, cancelled, cancelled. Schools and universities are still open, but school trips abroad have been called off, and more restrictions may be coming. Hungary has 13 known cases of the virus at this point, but if it spreads fast, the medical facilities will be overwhelmed. So it makes sense to take these measures. It’s just sad and strange.

What can we do? Take care of ourselves, stay informed and sane, support the events we would have attended, look for ways to help, visit the local fruit and vegetable store as long as it stays open, stay in touch with others, and hope that this passes soon.

Zsolt Bajnai points out in blogSzolnok that cultural institutions and artists holding events online will suffer financially, since they won’t be able to charge for tickets, merchandise, or refreshments. Those funded by the government will survive, but those who depend on the market will quickly go broke. (I think it makes sense to donate to them here and there, when possible.)

It’s unclear how long we will have to go without public events. It’s sort of like watching a cartoon character eat a two-dimensional meal; you can imagine the real thing, but you don’t get filled. One day there will be a song, story, poem, or play called “Elmarad.” It will speak of these days, and we will get to hear and see it in a three-dimensional physical place with coat hooks, creaky chairs, other people, and all.

In the meantime, I hope we deal well with what is happening now, without forgetting the things that matter over the longer stretch.

 

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  1. Elmarad (“Cancelled”) | hungarywolf

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    Diana Senechal is the author of Republic of Noise: The Loss of Solitude in Schools and Culture and the 2011 winner of the Hiett Prize in the Humanities, awarded by the Dallas Institute of Humanities and Culture. Her second book, Mind over Memes: Passive Listening, Toxic Talk, and Other Modern Language Follies, was published by Rowman & Littlefield in October 2018. In February 2022, Deep Vellum will publish her translation of Gyula Jenei's 2018 poetry collection Mindig Más.

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