The Week in Pictures

Yesterday the winners of the first Folyosó contest received their certificates (in the hallway, the “folyosó,” outside the teachers’ room, in the long break after the second lesson of the day). Their pieces will appear in the autumn issue of Folyosó, to be published on November 2. For this contest, I had invited four colleagues to be on the jury with me, and they happily agreed. It was exciting to read and reread the pieces and make our final choices. Congratulations to all!

The week had lots of rain, which meant that there were lots of umbrellas at school, which meant photos of umbrellas. At one point, when stopping to take a photo (in a rush on my way to class), I dropped everything, including a piece of chalk, which broke into many bits. A student kindly stopped and helped me pick everything up again–and I took that picture. The one below was taken a little later.

It’s hard to go out on weeknights, especially this year, when I am working on the translations and have so much to do from day to day. But on Tuesday there was no way that I could resist. I first went to an art opening by Gábor Homolya at the Tisza Mozi (Szolnok’s art cinema, which has ongoing exhibits, concerts, and more, in addition to films). My friend Éva from Budapest had told me about it. She took me and a few others on a detailed tour of the pieces. It was the third time I had seen his work up close; these ones were filled with allusions to literature, music, and film. Here is “1984.”

With the art opening, the 2020 Alexandre Trauner Art/Film Festival began. After a an introductory speech about Mr. Homolya, and after people had some time to look at the works, we all headed together across the courtyard to the synagogue (gallery) to hear the Bartók Béla Kamarakórus, one of Szolnok’s musical treasures and the only professional women’s choir in Hungary. After that, there were words of welcome, followed by the presentation of the Szignál-film awards.

We then walked back to the Tisza Mozi to see the film of the evening: Éden, directed by Ágnes Kocsis. It was an eerie, moving work that cannot (or should not) be described in terms of its plot. Afterwards Zsolt Bajnai conducted a discussion with the director and two others.

Between that, Folyosó, and regular classes and things, it was a fantastic week, topped off by bike rides along the Tisza.

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