The Week in Pictures

Yesterday the winners of the first Folyosó contest received their certificates (in the hallway, the “folyosó,” outside the teachers’ room, in the long break after the second lesson of the day). Their pieces will appear in the autumn issue of Folyosó, to be published on November 2. For this contest, I had invited four colleagues to be on the jury with me, and they happily agreed. It was exciting to read and reread the pieces and make our final choices. Congratulations to all!

The week had lots of rain, which meant that there were lots of umbrellas at school, which meant photos of umbrellas. At one point, when stopping to take a photo (in a rush on my way to class), I dropped everything, including a piece of chalk, which broke into many bits. A student kindly stopped and helped me pick everything up again–and I took that picture. The one below was taken a little later.

It’s hard to go out on weeknights, especially this year, when I am working on the translations and have so much to do from day to day. But on Tuesday there was no way that I could resist. I first went to an art opening by Gábor Homolya at the Tisza Mozi (Szolnok’s art cinema, which has ongoing exhibits, concerts, and more, in addition to films). My friend Éva from Budapest had told me about it. She took me and a few others on a detailed tour of the pieces. It was the third time I had seen his work up close; these ones were filled with allusions to literature, music, and film. Here is “1984.”

With the art opening, the 2020 Alexandre Trauner Art/Film Festival began. After a an introductory speech about Mr. Homolya, and after people had some time to look at the works, we all headed together across the courtyard to the synagogue (gallery) to hear the Bartók Béla Kamarakórus, one of Szolnok’s musical treasures and the only professional women’s choir in Hungary. After that, there were words of welcome, followed by the presentation of the Szignál-film awards.

We then walked back to the Tisza Mozi to see the film of the evening: Éden, directed by Ágnes Kocsis. It was an eerie, moving work that cannot (or should not) be described in terms of its plot. Afterwards Zsolt Bajnai conducted a discussion with the director and two others.

Between that, Folyosó, and regular classes and things, it was a fantastic week, topped off by bike rides along the Tisza.

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  • “To know that you can do better next time, unrecognizably better, and that there is no next time, and that it is a blessing there is not, there is a thought to be going on with.”

    —Samuel Beckett, Malone Dies

  • TEDx Talk

    Delivered at TEDx Upper West Side, April 26, 2016.

  • ABOUT THE AUTHOR

     

    Diana Senechal is the author of Republic of Noise: The Loss of Solitude in Schools and Culture and the 2011 winner of the Hiett Prize in the Humanities, awarded by the Dallas Institute of Humanities and Culture. Her second book, Mind over Memes: Passive Listening, Toxic Talk, and Other Modern Language Follies, was published by Rowman & Littlefield in October 2018. In February 2022, Deep Vellum will publish her translation of Gyula Jenei's 2018 poetry collection Mindig Más.

    Since November 2017, she has been teaching English, American civilization, and British civilization at the Varga Katalin Gimnázium in Szolnok, Hungary. From 2011 to 2016, she helped shape and teach the philosophy program at Columbia Secondary School for Math, Science & Engineering in New York City. In 2014, she and her students founded the philosophy journal CONTRARIWISE, which now has international participation and readership. In 2020, at the Varga Katalin Gimnázium, she and her students released the first issue of the online literary journal Folyosó.

  • INTERVIEWS AND TALKS

    On April 26, 2016, Diana Senechal delivered her talk "Take Away the Takeaway (Including This One)" at TEDx Upper West Side.
     

    Here is a video from the Dallas Institute's 2015 Education Forum.  Also see the video "Hiett Prize Winners Discuss the Future of the Humanities." 

    On April 19–21, 2014, Diana Senechal took part in a discussion of solitude on BBC World Service's programme The Forum.  

    On February 22, 2013, Diana Senechal was interviewed by Leah Wescott, editor-in-chief of The Cronk of Higher Education. Here is the podcast.

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    All blog contents are copyright © Diana Senechal. Anything on this blog may be quoted with proper attribution. Comments are welcome.

    On this blog, Take Away the Takeaway, I discuss literature, music, education, and other things. Some of the pieces are satirical and assigned (for clarity) to the satire category.

    When I revise a piece substantially after posting it, I note this at the end. Minor corrections (e.g., of punctuation and spelling) may go unannounced.

    Speaking of imperfection, my other blog, Megfogalmazások, abounds with imperfect Hungarian.

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