When you’ve waited months and months for a concert like this to happen, and then it gets scheduled and cancelled because of the rain, and then gets rescheduled and takes place, on a sunny evening in Buda, and when you find yourself enjoying it with an audience that is fully involved in the music, swaying to it, thrilling in the songs, well, then, you (I) go home a bit richer.
This was only the second time that I had heard Dávid Szesztay play in concert, and the first time I had heard him play solo. The other concert was in Szeged, in February 2020, just before the coronavirus restrictions set in. His subsequent concert, which I had hoped to attend, was cancelled, and there were many months of no concerts for anyone. This must have been his first Budapest concert since early 2020 (solo or with his own band, that is; he also plays in Santa Diver and Kiscsillag).
For those unfamiliar with Budapest, there’s a big difference between Buda and Pest. Buda is older, hilly in parts, more elegant, more residential; Pest is flat, buzzing, touristy. You can love both parts of the city, but you don’t know Budapest until you have spent time in Buda: on its terraces (like this concert), in its side streets, up in its hills. And for all its beauty, it’s remarkably untouristy on this side of the Danube; wherever you go, people are leading their everyday lives.
On May 19th I had come out here, to Széntlélek tér in Buda, for the concert, but as I mentioned, it was rained out. Last night it took place right here, at the same venue where the other one was to be, at the Esernyős terrace of the Óbuda cultural center. Here’s how Szentlélek tér looked on the two days:
This somehow related to the music too. Dávid Szesztay’s music is dreamy, subtle, turbulent: the songs take you through many different colors and moods. It was great to hear him play solo, to hear the bare versions of the songs. He played songs from the new album, Iderejtem a ház kulcsát (I am Hiding the House Key Here) and several others (from Dalok Bentre and Határtalan). One of my favorites was “Gyertyaláng” (“Candle Flame”), from the new album; it was amazing to hear it right there in the moment.
Another favorite, one of my favorites of all his songs, was “Késő,” which I have mentioned here before. There were others too, too many to mention here.
There was a dog in the audience who got excited and started barking along during two of the songs.
At the end of the concert, we gave him a hearty ovation, and he played an encore. (I think it was “Szabadon”; I’m not sure now.) Then I lingered on the square for a little bit, and then headed home with songs in my head.
Take Away the Takeaway 
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