Success and Its Contradictions

I have thought and written about success over the years, but right now I am focusing on its inherent contradiction. Most of us want to do good work by our own standards, in some area of life. But we also want this work to be recognized and rewarded. For a while these desires go hand in hand. But at some point they come into conflict: something you consider your best work falls flat with others, or the things you need to do for recognition seem like a waste of time and spirit. Then you have to choose which way to go.

This conflict also affects how you perceive and present yourself. Many musicians, writers, artists, filmmakers, actors, take pride in an indie (independent) identity. But if you want some kind of financial remuneration, you have to give up at least a sliver of your indie-ness. Some people get so afraid of this that they sabotage themselves, lashing out at their supporters and proclaiming the falseness of the world. Others try to play by the rules at least somewhat, for the sake of the art. The question is serious: how far you can go in others’ eyes before you end up selling your soul. But there’s no formulaic answer.

Basic principles can bring some clarity. The work has to be good. There’s no way around that. If it isn’t, it may have a brief heyday, but who cares? It’s more embarrassing, in the end, to come up with a big hit that fizzles, than to create something lasting that fails to catch on. If your work is good, you have a stronghold in it.

But what does it mean for work to be good? We keep trying to make it better and better. At some point we bring it out to the world. That, too, has to be done. But it’s a kind of parting. There’s an understanding that once you publish it, it’s “done.” Nothing is ever done, but at the same time it has to be.

In the end, success is like carrying an umbrella (I had to bring in the photo somehow). You want to stay dry, but you also hope it rains. At least two systems of elements meet each other, and probably three: your own, your work’s, and the world’s. What comes of the meeting is up to chance, dedication, the human beings around you, and earth, air, water, fire.

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  • “To know that you can do better next time, unrecognizably better, and that there is no next time, and that it is a blessing there is not, there is a thought to be going on with.”

    —Samuel Beckett, Malone Dies

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  • ABOUT THE AUTHOR

     

    Diana Senechal is the author of Republic of Noise: The Loss of Solitude in Schools and Culture and the 2011 winner of the Hiett Prize in the Humanities, awarded by the Dallas Institute of Humanities and Culture. Her second book, Mind over Memes: Passive Listening, Toxic Talk, and Other Modern Language Follies, was published by Rowman & Littlefield in October 2018. In February 2022, Deep Vellum will publish her translation of Gyula Jenei's 2018 poetry collection Mindig Más.

    Since November 2017, she has been teaching English, American civilization, and British civilization at the Varga Katalin Gimnázium in Szolnok, Hungary. From 2011 to 2016, she helped shape and teach the philosophy program at Columbia Secondary School for Math, Science & Engineering in New York City. In 2014, she and her students founded the philosophy journal CONTRARIWISE, which now has international participation and readership. In 2020, at the Varga Katalin Gimnázium, she and her students released the first issue of the online literary journal Folyosó.

  • INTERVIEWS AND TALKS

    On April 26, 2016, Diana Senechal delivered her talk "Take Away the Takeaway (Including This One)" at TEDx Upper West Side.
     

    Here is a video from the Dallas Institute's 2015 Education Forum.  Also see the video "Hiett Prize Winners Discuss the Future of the Humanities." 

    On April 19–21, 2014, Diana Senechal took part in a discussion of solitude on BBC World Service's programme The Forum.  

    On February 22, 2013, Diana Senechal was interviewed by Leah Wescott, editor-in-chief of The Cronk of Higher Education. Here is the podcast.

  • ABOUT THIS BLOG

    All blog contents are copyright © Diana Senechal. Anything on this blog may be quoted with proper attribution. Comments are welcome.

    On this blog, Take Away the Takeaway, I discuss literature, music, education, and other things. Some of the pieces are satirical and assigned (for clarity) to the satire category.

    When I revise a piece substantially after posting it, I note this at the end. Minor corrections (e.g., of punctuation and spelling) may go unannounced.

    Speaking of imperfection, my other blog, Megfogalmazások, abounds with imperfect Hungarian.

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