Upcoming Events

This is the busiest fall I can remember in years, and there have been quite a few busy ones. Teaching is in full swing, with all kinds of interesting things: Hamlet, utopia projects (my students read a few chapters of Thomas More’s Utopia and are now creating utopias of their own), The Glass Menagerie, songs, grammar, lively discussions, test practice, the usual textbook stuff, and more.

Outside of school, just as much is going on: translations, writing, events. Speaking of events, I have two to announce.

On October 15, I will be one of the panelists in an ALSCW Zoom event titled “General Education and the Idea of a Common Culture,” which will feature an array of speakers, as well as poetry readings by Edward Hirsch and Yusef Komunyakaa. It should be terrific. The full event description and Zoom information can be found here. The event is free and open to the public.

On October 26, I will be the fourth featured guest in The MacMillan Institute’s online Poetry series (open to the public for an entrance fee of $10.00; please register in advance). The previous guests were Fred Turner, Sarah Cortez, and Dana Gioia. I will be reciting and talking about poetry and translation (both my own and others’). One of the poems I plan to recite is Pilinszky’s “Egyenes labirintus” (“Straight labyrinth”), both in the original and in the wonderful translation of Géza Simon. To anyone in Hungary: you are welcome to attend, but please know that it starts at 1 a.m. on October 27 here! Fortunately we will be on spring break, so I can sleep in afterwards.

Speaking of Pilinszky, I should have some news, fairly soon, about an ALSCW Zoom event I intend to host in the spring, dedicated to Pilinszky and his influence. Details are still being worked out, so I will say more when there is more to say.

Also, if all goes well, we (my school and the Verseghy Ferenc Public Library in Szolnok) will hold a Shakespeare festival on April 22! We had hoped to do this last year, but Covid got in the way. This day-long festival will feature lectures, workshops, and student performances (in Hungarian and English) of Shakespeare scenes, sonnets, and songs.

Before that, this fall and winter, there will be two new issues of Folyosó. Submissions are now open for the autumn issue; the international contest focuses on the topic of contradictions in life. I look forward to seeing what pieces come in (I have already read a few) and what shape this issue takes!

At Szim Salom, I am leading four services this month. One took place on Friday; the other three will be this Friday, this Saturday, and Saturday the 23rd. In my case, leading the services means singing all the musical parts, all the melodic liturgy, leyning Torah, and leading the congregation through the parts of the service. When I co-lead with the rabbi (on Saturdays), she leads the spoken parts and usually gives a dróse (a D’var Torah, or sermon). This month, the Saturday services will take place in person, at Bálint Ház in Budapest.

There’s a lot more going on, but I think that’s enough. As for other people’s events, this afternoon I am going to Budapest to hear Csenger Kertai (whose poems I am translating) and several other poets: Krisztián Peer, Katalin Szlukovényi, Dávid Börzsei, and Bálint Borsi. Like the event at the A38 Hajó, but differently, this event will combine poetry with music and visual art.

Also, there’s a concert I’d like to hear on Thursday—a double CD release party for Noémi Barkóczi and Mayberian Sanskülotts—but for various reasons I don’t think I can go. I will listen to their music at home, and if it turns out that I can go, I will.

Other things, other concerts are happening this month, but this is enough for now.

The photo is of the Aranytoll (Golden Pen), a pen and stationery shop here in Szolnok. (At least I think that’s what it is; I haven’t been inside yet.)

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  • “To know that you can do better next time, unrecognizably better, and that there is no next time, and that it is a blessing there is not, there is a thought to be going on with.”

    —Samuel Beckett, Malone Dies

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  • ABOUT THE AUTHOR

     

    Diana Senechal is the author of Republic of Noise: The Loss of Solitude in Schools and Culture and the 2011 winner of the Hiett Prize in the Humanities, awarded by the Dallas Institute of Humanities and Culture. Her second book, Mind over Memes: Passive Listening, Toxic Talk, and Other Modern Language Follies, was published by Rowman & Littlefield in October 2018. In February 2022, Deep Vellum will publish her translation of Gyula Jenei's 2018 poetry collection Mindig Más.

    Since November 2017, she has been teaching English, American civilization, and British civilization at the Varga Katalin Gimnázium in Szolnok, Hungary. From 2011 to 2016, she helped shape and teach the philosophy program at Columbia Secondary School for Math, Science & Engineering in New York City. In 2014, she and her students founded the philosophy journal CONTRARIWISE, which now has international participation and readership. In 2020, at the Varga Katalin Gimnázium, she and her students released the first issue of the online literary journal Folyosó.

  • INTERVIEWS AND TALKS

    On April 26, 2016, Diana Senechal delivered her talk "Take Away the Takeaway (Including This One)" at TEDx Upper West Side.
     

    Here is a video from the Dallas Institute's 2015 Education Forum.  Also see the video "Hiett Prize Winners Discuss the Future of the Humanities." 

    On April 19–21, 2014, Diana Senechal took part in a discussion of solitude on BBC World Service's programme The Forum.  

    On February 22, 2013, Diana Senechal was interviewed by Leah Wescott, editor-in-chief of The Cronk of Higher Education. Here is the podcast.

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    On this blog, Take Away the Takeaway, I discuss literature, music, education, and other things. Some of the pieces are satirical and assigned (for clarity) to the satire category.

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