“They Guided Me in My Sense of What Is Significant”

Thanks to Leon Wieseltier for his splendid column “The Unschooled” (The New Republic, December 31, 2012). He begins boldly:

WHEN I LOOK BACK at my education, I am struck not by how much I learned but by how much I was taught. I am the progeny of teachers; I swoon over teachers. Even what I learned on my own I owed to them, because they guided me in my sense of what is significant. The only form of knowledge that can be adequately acquired without the help of a teacher, and without the humility of a student, is information, which is the lowest form of knowledge. (And in these nightmarishly data-glutted days, the winnowing of information may also require the masterly hand of someone who knows more and better.)

The piece builds from there and speaks for itself. I want to take a little time with these first five sentences.

The very act of teaching has become taboo. A teacher is supposed to “drive” results–or else “empower” the students to initiate their own learning. A teacher who wants to teach something substantial is told, directly or indirectly, “that’s not how it works.” Students, too, are swept up in this credo; they don’t think they have to pay attention unless there’s a palpable payoff. Some regard listening to the teacher as a passive and outdated activity (or, rather, non-activity).

Not all students, educators, and policymakers have fallen for this. Many understand that education requires voluntary and persistent attention, the kind that William Wordsworth and Charles Darwin considered a virtue. In A Choice of Inheritance, David Bromwich describes this kind of attention:

[Darwin] gives attention to objects whose use is as yet inconceivable, and he cannot help exemplifying the value of such attention. As with Wordsworth, it seems to me difficult to do more than connect this with a virtue like patience. One watches an object closely, even when it does not fit an available story, because one trusts that it will matter. The practice is not a wager or a sound investment but the pursuit of a calling.

What if you do not have such a calling? Can anyone push you to exhibit patience that is not there? Can it be created artificially? My answer would be no and yes. Ultimately no one can be forced to take interest in something. On the other hand, attention itself can open up the interest, and impatience can close it off. To listen to a teacher is, at the very least, to consider a possibility. It is a good habit.

I have been impatient at various times in my life. In the first semester of my junior year of college, I plunged into political activity and social service. I thought my classes were remote from the crises and demands of the present. I was taking a fascinating lecture course on the history of the American West, but decided that it didn’t speak to current problems. I stopped doing the work.

Jay Gitlin, the teaching assistant, whom I revered (and who is now a professor and author), approached me in the snack area of the library one day. “You should read these books,” he said. “You will find them interesting. Read Cabeza de Vaca.”

“But–” I tried to explain to him that I was worried about various pressing problems of the moment.

“These books have more to do with your concerns than you may think,” he said. “Just read them and see.”

He was wise and kind, and he let me make my own choices. I chose to do the wrong thing (slip impossibly behind in the class) but knew that I was wrong and appreciated his gesture. I must have recalled this conversation hundreds of times over the years.

Even then, at the nadir of my general patience, I wanted to listen to him, my teacher. I treasured his advice although I didn’t follow it; over time, I treasured it even more. Today I am indebted to him for the understanding that came out of that conversation, which led to the understanding that things may matter in oblique ways, or show their mattering slowly (and that Cabeza de Vaca is well worth reading).

This brings me back to Wieseltier’s words: “Even what I learned on my own I owed to them, because they guided me in my sense of what is significant.”

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  • ABOUT THE AUTHOR

     

    Diana Senechal is the author of Republic of Noise: The Loss of Solitude in Schools and Culture and the 2011 winner of the Hiett Prize in the Humanities, awarded by the Dallas Institute of Humanities and Culture. Her second book, Mind over Memes: Passive Listening, Toxic Talk, and Other Modern Language Follies, was published by Rowman & Littlefield in October 2018. In April 2022, Deep Vellum published her translation of Gyula Jenei's 2018 poetry collection Mindig Más.

    Since November 2017, she has been teaching English, American civilization, and British civilization at the Varga Katalin Gimnázium in Szolnok, Hungary. From 2011 to 2016, she helped shape and teach the philosophy program at Columbia Secondary School for Math, Science & Engineering in New York City. In 2014, she and her students founded the philosophy journal CONTRARIWISE, which now has international participation and readership. In 2020, at the Varga Katalin Gimnázium, she and her students released the first issue of the online literary journal Folyosó.

  • INTERVIEWS AND TALKS

    On April 26, 2016, Diana Senechal delivered her talk "Take Away the Takeaway (Including This One)" at TEDx Upper West Side.
     

    Here is a video from the Dallas Institute's 2015 Education Forum.  Also see the video "Hiett Prize Winners Discuss the Future of the Humanities." 

    On April 19–21, 2014, Diana Senechal took part in a discussion of solitude on BBC World Service's programme The Forum.  

    On February 22, 2013, Diana Senechal was interviewed by Leah Wescott, editor-in-chief of The Cronk of Higher Education. Here is the podcast.

  • ABOUT THIS BLOG

    All blog contents are copyright © Diana Senechal. Anything on this blog may be quoted with proper attribution. Comments are welcome.

    On this blog, Take Away the Takeaway, I discuss literature, music, education, and other things. Some of the pieces are satirical and assigned (for clarity) to the satire category.

    When I revise a piece substantially after posting it, I note this at the end. Minor corrections (e.g., of punctuation and spelling) may go unannounced.

    Speaking of imperfection, my other blog, Megfogalmazások, abounds with imperfect Hungarian.

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