People often associate creativity with big ideas, but it is often found in centimeter-sized details. In an earlier post I discussed how creativity involves tinkering with subject matter; here I will look at how it thrives on the small scale, in the realm of hinges, clasps, and other parts.
The above picture (which I took at home) shows three objects–two book stands and a pair of AN-6530 goggles–manufactured by the Chas. Fischer Spring Co., founded by my great-granduncle Charles Fischer. He was about fourteen when he came with his parents and seven younger siblings to New York City from Györke, Hungary (now Ďurkov, Slovakia). In 1906, after working as a toolmaker and spring-maker, he founded his company in Brooklyn and employed a few of his brothers. My great-grandfather worked for him as a bookkeeper, I believe.
The two book stands clasp onto the knee, so that your hands are free when you read; the AN-6530 goggles were produced during World War II for Army and Navy flight crews. After one year of use (in 1943), they were superseded by rubber-framed, plastic-framed goggles (since mass production of plastic had become possible in the interim, and plastic lenses were much safer).
Many of Charles Fischer’s inventions pertained to goggles; he had several patents for goggles themselves, and others for goggles’ hinges, clasps, bridges, and seals. His goggle clasp (Patent No. 2,126,379), filed in 1937 and patented in 1938, improves upon existing clasps in ways that he carefully lays out.
Here’s a photo of the AN-6530 clasp (at least on my own pair). I have looked at pictures of others; the clasps are similar in form. You can see that they require twisting a piece of wire. As we know from experience with hangers (for instance), if you twist the wire too much, it breaks.
That is exactly the problem that Charles Fischer sought to address. (Note that the AN-6530 goggles came well after his invention but stuck with the earlier clasp.) In his patent specifications, he explains:
Heretofore, the head band has carried a thin light open ring which was passed through the ears of the frame and then twisted by pliers. The twisting of the ring strains it and crystallizes it. Thereafter, the stresses to which the ring was subjected imposed further strain and led to breakage at the point of twisting.
Here’s how he resolves the problem:
The possibility of the head band clasp breaking or working loose from the goggle and the resulting inconvenience and perhaps danger to the user, is avoided by the clasp shown in Figs. 2, 3 and 4, in which a strap 23 is provided, slotted at 24 to receive one end of a head band 25. The strap has a forwardly extending pocket 26, the strap and pocket being stamped from one piece of metal. Passing through the sides of the pocket is a pivot pin 27, and a strong hook 28 is pivoted on this pin. As illustrated, pivot pin 27 is arranged off-center, i.e. below the central horizontal plane of the pocket and below the line of force acting on hook 28. This arrangement results in the hook being securely locked to the frame when in closed position. In addition, the upper sides of pocket 26 are pinched at 29 to provide a pair of spring jaws. When the hook is open, as shown in full lines in Fig. 2, the jaws act to hold the hook up and in a position which facilitates the passing of the free end of the hook through the perforated noses of the frame. When the hook is closed, the jaws give way to allow the hook to pass and then spring back behind the hook. Also, as shown, the extended lip 30 of pocket 25 is adapted to be engaged by and serve as a stop for the free end of hook 28.
That may seem a little confusing until you match it, number by number, with the diagram:
Now it’s evident that this new clasp resolves the problems of the previous one. There’s no twisting of wire, no loose ends, no strain on the materials. What’s more, it involves a kind of spring: “In addition, the upper sides of pocket 26 are pinched at 29 to provide a pair of spring jaws.”
I don’t know why this clasp wasn’t incorporated in the AN-6530 model. His patent was issued a year before the outbreak of World War II. Maybe his inventions didn’t get enough attention; maybe they were considered too expensive.
My point is that our discussions of creativity tend to miss the mark. There’s creativity in the spring jaw and pivot pin of a goggle clasp–yet when people speak of creativity, they disregard those beautiful little parts.
Charles Fischer died almost two decades before I was born, so I had no way of meeting him. Only one of his siblings, Emanuel, survived into my lifetime; he died when I was about four, and I knew nothing of his existence. My great-grandfather Max died four years before my birth. I wish time could be compressed so that I could ask them questions. I sense enjoyment in Charles Fischer’s descriptions; I imagine that he loved explaining them to people who showed interest.
There may be far more creativity in the world than people imagine. It may be found in the particulars, in the subtle reworking of words, sounds, and springs. The current focus on big ideas detracts from creativity itself. Or to put it bluntly: creativity means nothing in the abstract. It has meaning only in relation to specific form and matter.
Image credits: I took the two photos. The patent image can be found on the United States Patent and Trademark Office website.
Note: I made some edits to this piece–and added two sentences to the end–after posting it. Also, I changed the title.