The winter break was close to ideal. I had two warm invitations to homes, spent lots of time reading, writing, preparing for the Pilinszky event, listening to music, playing cello, resting, and thinking, and went to three concerts (Jazzékiel, Kolibri, and Idegen/Esti Kornél). There were stretches of quiet time with nowhere to rush to, no deadlines to meet except for my own. Many Hungarians assume that a life like this must be lonely. But no, I thrive in these conditions: for instance, right now. I got up at 4:30, and the sun has not come up yet. Two hours, so far, of quiet and dark. I love company too, in good measure.
I came upon the above painting by chance (by Sally Sharp, a painter I had never heard of before) when looking for something else. It reminds me of Cz.K. Sebő’s song “Got Lost” (the first of three interludes on his album How could I show you the beauty of a life in vain?). I have listened to the album many times now and keep looking forward to the next time. There’s so much more I want to listen to, too, but this is how I tend to read and listen: over and over, and then slowly making my way to other things.
On December 31 I re-recorded the first of my five Pilinszky cello covers. This is the third attempt and the best of the three. I intend to record them all—whether by myself, at home, or with someone else’s assistance. But I like how this came out in terms of tone and mood.
Tomorrow school resumes. I will try to keep some of this restfulness, but the next few months will be fairly intense. I am planning a Shakespeare festival, scheduled for April 22, with the Verseghy Ferenc Könyvtár (the public library). We don’t know for sure whether it will be possible to hold it, but given that it will be fairly small, we should be able to work it out, unless we enter a new Covid lockdown. The most important thing is to help my students prepare Shakespeare scenes, sonnets, and songs. If we have the content (which won’t be wasted in any case), the rest will come together.
And a month before that, the Pilinszky event will take place! Lots of people have shown interest on Facebook, but there’s no telling until the event itself how many people will attend. In any case, now is the time for me to step up the invitations, in addition to continuing with the preparations. You, too, can invite people. We welcome anyone interested in poetry, songs and songwriting, translation, languages, Hungarian, and Pilinszky himself.
That’s in addition to regular teaching, Folyosó, translations, writing, and much more. On April 12, my translation of Gyula Jenei’s Mindig más will appear! (Publication was originally scheduled for February, but there were some delays.) Also, very soon, six poems by Csenger Kertai, in my English translation, will appear (two apiece) in Asymptote, Literary Imagination, and Literary Matters.
Now the sun is up, though dimly. Time for me to go on to other things. First of all, because it’s on my mind, and because I might not have time or presence of mind for this over the coming weeks, I want to watch the first of Laurie Anderson’s Norton Lectures. A friend has been recommending them for months, but I kept missing them while they were going on. Now they can all be watched online. Happy New Year to all!
Art credit: Sally Sharp, “Walkin Out” (oil/cold wax).