Twitter, Trump, and Trivialization

electric-companyFrom what I have seen and gathered, Twitter can be a quick and efficient way to spread information. But it also invites one-off, irresponsible, incomplete comments that gain momentum as they go.

Mitchell D. Silber, former director of intelligence analysis for the New York Police Department (and now Executive Managing Director for Intelligence and Analytic Solutions at K2 Intelligence), explained the relation between social media (particularly of the Twitter variety) and acts of hatred and violence: “You started out with the hostile tweets. You moved to the bomb threats against JCCs and other institutions, and now you have a physical manifestation at the cemeteries with the gravestones knocked over.” (This quote is from yesterday’s New York Times article “Threats and Vandalism Leave American Jews on Edge in Trump Era” by Alan Blinder, Serge F. Kovaleski, and Adam Goldman.)

I do not know that Twitter is influencing any of the recent killings, bomb threats, cemetery desecrations, or other acts. But a medium that encourages fragmented, sensationalist, extreme expression cannot be helping the situation. Twitter has actually replaced other kinds of online conversation; people go there first for their updates and reactions.

Now we have a president who thrives on Twitter—who may even owe his electoral victory to his relationship with the tweet. In October 2015, Michael Barbaro explained (in another New York Times article) how Trump used the medium to promote himself and cut others down:

On Twitter, Mr. Trump has assembled an online SWAT team of devoted (some say rabid) supporters who spring into action with stunning speed. In a pattern that has played out over and over, he makes a provocative remark, like one about Mrs. Fiorina’s face — “Would anybody vote for that?’’ — and hundreds of thousands of strangers defend him, spread his message and engage in emotional debates with his critics, all the while ensuring he remains the subject of a constant conversation.

Yes, this is the style of our chief executive. The danger lies not only in the meanness of his remarks—which is appalling—but in the lack of reason. He maintains these qualities of speech both online and offline. About the vandalism of the Jewish cemeteries, he reportedly told the state attorneys general that the threats and destruction might be a politically coordinated effort to “make people look bad.”

That is not even a statement. It is a half-hint. Is he saying that someone did this to make him look bad? Or does he mean something else? Where are these words coming from? Who are the “people” to whom he refers? Presidents throughout history have exploited the vagueness of language, but this goes beyond vagueness; while making little sense, it also trivializes what has happened and sheds responsibility.

Such trivialization aids the violence even if it doesn’t cause it. If you reduce an act of violence to a vague handful of words, you encourage others to respond in kind. Those upset by these events but trying to make sense of them may end up spending hours clicking tweets and links, becoming, as Jesse Singal puts it, “click-zombies,” instead of putting their efforts into clearer speech).

If headstones are being toppled, people are being killed for their race and origin, community centers are receiving bomb threats, cars and buildings are being spray-painted with Nazi graffiti, and our most popular social media sites are set up for wrist-jerk responses, then not only our language but our places of speech are crying for repair.

Image credit: From an the PBS program The Electric Company (still image taken from video).

Note: I made a few edits to this piece after posting it.

Twitter and Loss of Solitude

Last March, during a book talk,  Jonathan Franzen committed the scandalous act of criticizing Twitter. An audience member took issue not with his points, but with his failure to admit to his own privilege. Franzen, she argued, doesn’t have to  worry about promoting himself. His publicist probably dreams about him every night. Many lesser-known writers have to go on Twitter and Facebook if they want to reach readers.

But do we? Isn’t there a way to reach people without reducing yourself? If you genuinely enjoy Twitter—and many do—then it can have benefits. It can serve as a good source of information, if nothing else. But if you aren’t drawn to it, why force yourself to use it? One of the most grating aspects of Twitter (and other social media) is the subjection of everything to a popularity vote and public display.

Publicity is not evil; writers and others need to reach an audience. Still, there are many ways of doing this, each with its benefits and costs. One must choose carefully, resisting pressure to join the crowd.

Promoting your work through Twitter is no mere thumb movement. It isn’t enough, from what I have seen, to toss out a tweet now and then. No, you have to build a following (which you can check moment to moment). This requires time and strategic activity. What’s more, it requires that you look somewhat friendly and accessible. You tweet about how great it was to meet so-and-so for lunch. You tweet that you’d love to come to so-and-so’s reading but—alas—are about to board the plane to LA, where you will be giving a reading of your own. Too bad! Another time!

Now, some claim that this sort of online socializing actually preserves privacy. Susan Cain suggests that it appeals to introverts because it relieves them of the pressure to socialize in person. According to Cain, it is more comfortable for them to tweet and blog than to speak in public or introduce themselves at parties. Clearly there’s some truth to that. It’s probably less draining in some ways to send a hundred tweets than to meet ten people in a day. Introvert or extrovert, a person gets tired.

Let’s set aside the question of introversion for the moment and consider solitude instead. (Introvert-extrovert distinctions are a bit messy, in my view.) If you value solitude—that is, time apart in the mind, even time alone with a friend—do you really want to muddy it up with tweets of “great to see you” and “say hi to Nancy”? Are your conversations really mass entertainment pieces? Some will argue that such communications aren’t special or intimate–so nothing is lost in making them public. But I consider even acquaintanceships important enough (and, in a sense, private enough) to keep to myself.

In my book, Republic of Noise, I define solitude as the apartness we have at all times, which we may honor and shape or not. There is solitude in friendship, because friendship requires a certain aloneness of spirit, a willingness to take the other person on his or her own terms. Each friendship has its special language, history, and rituals, which are understood by the two friends alone. Conversations between friends do not have to become public property.  Something’s corrupted when they do.

I like to separate public from private. When in public–for instance, when giving a speech or teaching at school—my words are for all, and my focus is mainly on ideas, not on personal relationships. When in private, alone or with others, a mixture of ideas, rumblings, and affections (or, in some cases, antipathies) comes into play. Although it is impossible to separate the public and the private completely, I find meaning and respite in such division.

Twitter and other social media erode the distinction between public and private. They create a zone that is neither one nor the other. Of course, this erosion is not new, nor is social media the sole cause. Hannah Arendt considered it a feature of modernity;  she gives a fascinating analysis of the problem in The Human Condition. There is something perturbing about the zone that is neither this nor that—the extension of our selves into arenas that do not care for us.

Now, one can use Twitter in a purely formal manner: sending out links and announcements with no personal content. But unless you have a large following, this will likely have little effect; moreover, you still have to deal with tweets from others. I’d rather stay off the whole thing.

My upstart abstinence may cost me a host of readers. So be it; I’d rather have a thousand readers and independence of mind, than a hundred thousand and twice as many tweet-intrusions. I do not have to broadcast what is private or mundane (or even what is not). Some say social media is the wave of the future, but that does not obligate anyone to ride it. An age contains far more than its trends; a life, far more than avatars and “likes”; a book, far more than its surrounding chatter.

Note: I made a few edits to this piece after its initial posting.