Something to Sit Up For

gazing-catsI know a few people who write both poetry and nonfiction (more or less concurrently), and while they involve different kinds of imagination, they still have a good deal in common. In both, you are looking and listening not only for the right words, but the right combination of sounds, the right allusions, the right departures from the known and expected.

Recently I have been writing much more nonfiction than poetry, but the poems still come now and then, and some of them hold up over time. This one (an unrhymed sonnet from 2009 or so) is one of my favorites. It appears on the dedication page of Republic of Noise; Stella Schindler quotes it in full at the beginning of her review in Humanum. Reading it now, I still hear something like the offbeat clanging of a bell (in the preposition “for,” which occurs at the end of three consecutive phrases with two enjambments). But of course my ear is slanted. (So is the picture I took yesterday morning of the cats and sunrise.)

The Speech

From far away I heard you speak today,
the way we hear bells in a slant of sun,
knowing they ring at five—the calendar
itself makes words, the very rays make chords.

A teacher must have rushed there after school,
arrived breathless, flopped in a seat, arranged
her coat and hair, leaned into heed, and found
a rampart in the very listening.

Something to sit up for, something to hold
one’s head up for, a time to put aside
one’s foibles for, even a distant time,
this came my way today, a reckoning.
I grasped that there was loneliness in gold
and gold in air, and debt in everything.

  • “To know that you can do better next time, unrecognizably better, and that there is no next time, and that it is a blessing there is not, there is a thought to be going on with.”

    —Samuel Beckett, Malone Dies

  • Always Different

  • ABOUT THE AUTHOR

     

    Diana Senechal is the author of Republic of Noise: The Loss of Solitude in Schools and Culture and the 2011 winner of the Hiett Prize in the Humanities, awarded by the Dallas Institute of Humanities and Culture. Her second book, Mind over Memes: Passive Listening, Toxic Talk, and Other Modern Language Follies, was published by Rowman & Littlefield in October 2018. In February 2022, Deep Vellum will publish her translation of Gyula Jenei's 2018 poetry collection Mindig Más.

    Since November 2017, she has been teaching English, American civilization, and British civilization at the Varga Katalin Gimnázium in Szolnok, Hungary. From 2011 to 2016, she helped shape and teach the philosophy program at Columbia Secondary School for Math, Science & Engineering in New York City. In 2014, she and her students founded the philosophy journal CONTRARIWISE, which now has international participation and readership. In 2020, at the Varga Katalin Gimnázium, she and her students released the first issue of the online literary journal Folyosó.

  • INTERVIEWS AND TALKS

    On April 26, 2016, Diana Senechal delivered her talk "Take Away the Takeaway (Including This One)" at TEDx Upper West Side.
     

    Here is a video from the Dallas Institute's 2015 Education Forum.  Also see the video "Hiett Prize Winners Discuss the Future of the Humanities." 

    On April 19–21, 2014, Diana Senechal took part in a discussion of solitude on BBC World Service's programme The Forum.  

    On February 22, 2013, Diana Senechal was interviewed by Leah Wescott, editor-in-chief of The Cronk of Higher Education. Here is the podcast.

  • ABOUT THIS BLOG

    All blog contents are copyright © Diana Senechal. Anything on this blog may be quoted with proper attribution. Comments are welcome.

    On this blog, Take Away the Takeaway, I discuss literature, music, education, and other things. Some of the pieces are satirical and assigned (for clarity) to the satire category.

    When I revise a piece substantially after posting it, I note this at the end. Minor corrections (e.g., of punctuation and spelling) may go unannounced.

    Speaking of imperfection, my other blog, Megfogalmazások, abounds with imperfect Hungarian.

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