Sliding Love (a new Hungarian film)

Even before the film started last night, you could feel the emotion in the room: the excitement of being back at the Tisza Mozi for a a special film event: this time a pre-screening of Viktor Oszkár Nagy’s film Becsúszó szerelem (Sliding Love), followed by a discussion, led by Zsolt Bajnai, with the director, the lead actress (Viola Lotti Gombó), and another cast member (Ádám László Piller). István Demeter, the owner of the Tisza Mozi, welcomed us heartily.

I loved the film and understood about 95% of it, the most I have understood so far when watching a Hungarian film without subtitles. It’s a somewhat eccentric, melancholic romantic comedy about a couple that wants to have a baby but can’t conceive because the husband, a football “ultra,” is sterile. At an adoption orientation that they attend, prospective adoptive parents are asked what they would hope for in a child. The husband says, “A Hungarian,” and makes clear that he does not want to adopt a Gypsy; this and a few other missteps more or less kill their prospects. Then one day the wife brings home a pregnant Roma (Gypsy) girl, Lüszi, with the idea that they will adopt her child. Things take unexpected turns from there.

The film explores the football (soccer) fan subculture: the rough-and-ready groups of buddies who follow their favorite team all over the place and keep getting into fights and scrapes. It takes on Hungarian racism against Roma people. And it shows a vulnerable, spunky young Roma woman who, over the course of the story, shows and finds out who she truly is. It has heaps of satire too: of various self-help groups, of the justice system, and of the lives of petty thugs.

The lead actors were the ones who enchanted me: András Ötvös as Gyula, and Viola Lotti Gombó as Lüszi. Viola Lotti Gombó has extraordinary range and grace: in the beginning, she plays crass and bored, annoyed with everything; slowly, as the film develops, she lets Lüszi unravel into beauty. I am eager to see what she does in the future.

There’s that moment, at the Tisza Mozi’s special screening, when the film is over, the credits are still playing, and the lights start coming back on, signaling that the discussion will shortly begin. The photo below is from that very moment. “Hang” means “sound”; that was the sound credit, and you can see the light shining onto the chairs below the screen.

During the discussion, Zsolt Bajnai asked the director about the origins of this film, about how it differs from his previous work, about how he learned about the football fan subculture, and about the casting. The football fan subculture part was particularly interesting; he said that he had made contact with various people, friends of friends, and visited some of the games to see and experience this world, and the world of football-hooligans too. Mr. Bajnai asked Viola Lotti Gombó a few questions too. From her responses, you could see how much she loved this role and what it meant to her to be in the film. There were a couple of questions from the audience. Then István Demeter thanked everyone for coming and brought the evening to a close.

On my way out, I had a chance to say hi to the Bajnais, whom I haven’t seen in person for months, and then I zipped home on the bike, happy and full of thoughts.

  • “To know that you can do better next time, unrecognizably better, and that there is no next time, and that it is a blessing there is not, there is a thought to be going on with.”

    —Samuel Beckett, Malone Dies

  • Always Different

  • Pilinszky Event (3/20/2022)

  • ABOUT THE AUTHOR

     

    Diana Senechal is the author of Republic of Noise: The Loss of Solitude in Schools and Culture and the 2011 winner of the Hiett Prize in the Humanities, awarded by the Dallas Institute of Humanities and Culture. Her second book, Mind over Memes: Passive Listening, Toxic Talk, and Other Modern Language Follies, was published by Rowman & Littlefield in October 2018. In February 2022, Deep Vellum will publish her translation of Gyula Jenei's 2018 poetry collection Mindig Más.

    Since November 2017, she has been teaching English, American civilization, and British civilization at the Varga Katalin Gimnázium in Szolnok, Hungary. From 2011 to 2016, she helped shape and teach the philosophy program at Columbia Secondary School for Math, Science & Engineering in New York City. In 2014, she and her students founded the philosophy journal CONTRARIWISE, which now has international participation and readership. In 2020, at the Varga Katalin Gimnázium, she and her students released the first issue of the online literary journal Folyosó.

  • INTERVIEWS AND TALKS

    On April 26, 2016, Diana Senechal delivered her talk "Take Away the Takeaway (Including This One)" at TEDx Upper West Side.
     

    Here is a video from the Dallas Institute's 2015 Education Forum.  Also see the video "Hiett Prize Winners Discuss the Future of the Humanities." 

    On April 19–21, 2014, Diana Senechal took part in a discussion of solitude on BBC World Service's programme The Forum.  

    On February 22, 2013, Diana Senechal was interviewed by Leah Wescott, editor-in-chief of The Cronk of Higher Education. Here is the podcast.

  • ABOUT THIS BLOG

    All blog contents are copyright © Diana Senechal. Anything on this blog may be quoted with proper attribution. Comments are welcome.

    On this blog, Take Away the Takeaway, I discuss literature, music, education, and other things. Some of the pieces are satirical and assigned (for clarity) to the satire category.

    When I revise a piece substantially after posting it, I note this at the end. Minor corrections (e.g., of punctuation and spelling) may go unannounced.

    Speaking of imperfection, my other blog, Megfogalmazások, abounds with imperfect Hungarian.

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