“Pici koncert” highlights

pozovi menya
The long-awaited “pici koncert“* took place this morning. (“Long-awaited” in this case means “anticipated for two weeks.”) Many students and teachers gathered to listen, out in the hallway, during the long break between the second and third periods. We sang three songs in three languages: “Позови меня” by Любэ, “Maradok ember” by 1LIFE, and “Champs-Elysées” by Joe Dassin. Here is a video of the highlights. (Please note that it is unlisted: that is, viewable only by those who have the link.)

 

Afterwards I was delighted with the concert but disappointed that I hadn’t done better with “Maradok ember” (one of my favorite songs in the world). Its lyrics are by Marcell Bajnai, the lead singer, guitarist, and lyricist of 1LIFE; I hope to read and hear much more of his work over the coming decades. I had wanted to play it perfectly but instead said two words wrong, didn’t pronounce things well overall, didn’t play quite in tune, hit a couple of dud notes, and went a little too fast. “Jaj, emberiség!” (as opposed to “jaj, istenem!”). But later I saw things more clearly: we had set out to do our best and have fun, and we accomplished both. The atmosphere in the hall was upbeat: people listened and applauded heartily. Thanks to everyone who took part–performers, composers, and audience! Thanks also to the 9.AJTP class, whose “pici koncert” earlier in the month inspired this one. And thanks to my colleagues Judit Kéri and Nóra Csiffáryné Fegecs, who taught the songs to their students and helped bring all of this about, and my colleague Anikó Bánhegyesi, who recorded the video.

aux champs elysees

*“Pici” in Hungarian means “tiny.” The concert, like the previous one, was called a “pici koncert a nagy szünetben,” that is, a “tiny concert in the big break.” The “big break” is the fifteen-minute break between the second and third periods.

After posting this piece, I re-edited and re-uploaded the video; the new version (embedded here) fades in and out of each segment.

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  1. No Ordinary Song | Take Away the Takeaway
  2. Thoughts on “Kapcsolj ki” | Take Away the Takeaway
  3. Preparing for a Ten-Minute Concert | Take Away the Takeaway

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  • “Setting Poetry to Music,” 2022 ALSCW Conference, Yale University

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    Diana Senechal is the author of Republic of Noise: The Loss of Solitude in Schools and Culture and the 2011 winner of the Hiett Prize in the Humanities, awarded by the Dallas Institute of Humanities and Culture. Her second book, Mind over Memes: Passive Listening, Toxic Talk, and Other Modern Language Follies, was published by Rowman & Littlefield in October 2018. In April 2022, Deep Vellum published her translation of Gyula Jenei's 2018 poetry collection Mindig Más.

    Since November 2017, she has been teaching English, American civilization, and British civilization at the Varga Katalin Gimnázium in Szolnok, Hungary. From 2011 to 2016, she helped shape and teach the philosophy program at Columbia Secondary School for Math, Science & Engineering in New York City. In 2014, she and her students founded the philosophy journal CONTRARIWISE, which now has international participation and readership. In 2020, at the Varga Katalin Gimnázium, she and her students released the first issue of the online literary journal Folyosó.

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    On April 26, 2016, Diana Senechal delivered her talk "Take Away the Takeaway (Including This One)" at TEDx Upper West Side.
     

    Here is a video from the Dallas Institute's 2015 Education Forum.  Also see the video "Hiett Prize Winners Discuss the Future of the Humanities." 

    On April 19–21, 2014, Diana Senechal took part in a discussion of solitude on BBC World Service's programme The Forum.  

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